I have
taken a long time to work out what I am interested in. I was at first
interested in the visual qualities of extraordinary perspective looked at from
below. An inspirational artist was Kozyndan. Kozyndan’s illustration shows a different way
to view a painting. He uses a rich mix
of illustration with objects and interesting images in it that may be viewed
from a number of angles. I realized that it was the illustrative qualities of
imagery of all kinds focusing on small areas of them and getting lost. That is how I respond to artworks. Organic
lines and Japanese designs, batik and Indian patterns, delicate laces and typography.
All of them draw me in. One of my favorite typographers is Marc Johns. March
Johns does drawings with words that sometimes have no relation to the drawing.
This interests me because I like figuring out why he put those words and mix it
with the images. The presence of a human
being is usually visible, through the body or gestures. I am more interested in the lingering presence
of a human, and the impression, or marks they leave behind, such as
fingerprints and lip prints left on glasses. I wonder about the people who left
them. The idea of presence has been
looked at by artists that are relevant to my theme, such as the Indonesian
Artist Sunaryo. The media I have chosen to use are acrylics, and oils. Through
painting macro images of patterns and impressions I love, such as batik and
fingerprints, and up scaling the images into larger works I hope to draw people
into what I feel. The original lines and colors were produced by the hand of a
person at some time and because of their tiny size forgotten or not even
noticed. To me they represent so much.
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