The
two years of my IB Visual Arts course has trained me to become a more analytical
person who is open to new ideas. I was originally interested in emotions and investigated
Edvard Munch’s The Scream. I learned
that the red sky in the painting was a result of the atmospheric effects caused
by the eruption of Krakatoa. Thus, I became fascinated by volcanoes, which lead
on to smoke and an interest in the spirituality of volcanoes particularly in Indonesia,
a country whose life is dominated by their moods and activities.
I
have been influenced by Johan Christian Dahl and Japanese artists Hokusai,
Hiroshige, and Yokoyama Misao, as all depict volcanoes. I began working with
oils, since I am able to generate similar effects to those artists using this
media in thin successive layers of pure glazing. Misao was an artist of the Nihonga tradition, and
although I do not have access to the materials he employed, I am able to create
a similar effect. I used heavy scumbling for smoke, and after laying down paint,
used a cloth to wipe it back to
establish the thin layer effect Nihonga artists used. I have also been
mesmerized by Robert Longo’s powerful depictions of smoke through the use of
charcoal and actual collected volcanic ash - another media employed in earlier
works. The later works in my folio have returned back to the theme of smoke. I
have employed fumage, painting with actual smoke, and I wish to continue
exploring other diverse media, even after IB, as I move into portraits.
Through
the course, I researched by exploring cultures, histories, diverse beliefs, and
analysis of artworks. I was initially nervous and hesitant creating my artworks;
however, through solid practice, experiments, and experience, I have grown more
confident and learnt that with courage, anything can be achieved.
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