Grade 5
Visual Arts: Our Migration Series
Migration affects communities
socially, culturally and economically.
We used the ‘Think
Puzzle Explore’ visible thinking routine to view the artwork of an American
artist working in the mid to late twentieth century, Jacob Lawrence. We
looked at a few of the panels from his Migration Series and we discussed the
images; then recorded our thoughts and questions. We read some of Mike Vinezia’s book about the
artist and decided that we could find out more by looking at all the
panels.
Jacob
Lawrence's The Migration Series, a sequence of
60 paintings, shows the mass movement of African Americans from the rural South
to the urban North between World War I and World War II. It tells the story of thousands of
African-American families who left their homes in the southern United States
and traveled North to cities like Chicago and New York. Although slavery had
ended years before, many black people were still treated badly in the
South. Black families travelled North to
look for jobs and a better life. In The Migration Series Lawrence showed how families lived
in the South before moving North. He
told the story of their journey, and what happened when they arrived in the
North.
The
Black Migration was the largest group of people ever to move from one part of
the US to another. Jacob Lawrence was
one of the few people who recorded it.
Lawrence
spent months preparing 60 boards with the help of his wife, artist Gwendolyn
Knight. Because he wanted each painting to have a similar look and to keep the
colors consistent, Lawrence painted all 60 pictures at the same time. He planned all 60 paintings at once and
applied one hue at a time to every painting where it was to appear. Lawrence was the first black artist
represented by a New York gallery.
Lawrence made use of repeated
motifs to show unity in The Migration Series, and also linear uprights. These vertical lines alternate with the flat
planes of open skies or high walls to create a rhythm of escapes and
enclosures. Descriptive captions under
each image enhance a sense of unity. The series begins with these words: ‘During
the World War there was a great migration North by Southern Negroes.’ It ends: ‘And
the migrants kept coming.’
The students looked at all 60 images and matched some of the captions
with the images.
We discussed Jacob
Lawrence’s style and the common features of his work such as his use of dark
colours, use of vertical lines to show e.g. prison bars, flames, raised arms,
chimneys with smoke. Lawrence created
stories using flat, simple shapes and colours.
The students worked in
small groups to make a series containing at least four panels to show a
historical event involving migration, with each student responsible for a
different panel or panels. They needed
to plan in detail first and to paint fairly quickly, using watercolour and one
colour at a time.
Learning
outcomes:
|
I can respond to
art by creating art and explain the connection.
|
I have developed
my skill in applying the elements and principles of art.
|
I can describe
how people use artwork as a response to a situation & investigate the
purposes of objects & images.
|
I can use
preliminary drawings to develop personal interests, using my sketchbook
effectively as a planning tool.
|
I can produce a
2-D work of art that communicates ideas for specific purposes.
|
Transdisciplinary skills we used were:
Thinking skills – Application
Making use of
previously acquired knowledge (what we learnt about Jacob Lawrence’s work) in
new ways
|
Social skills – Group decision-making
Listening to
others; discussing ideas; asking questions; agreeing
|
Communication skills – Presenting
Constructing
visuals for a range of purposes and audiences; communicating ideas through
visual media
|
Self- management skills – Spatial awareness
Thinking about
the position of objects in relation to each other
|
Alfi & Sara
Alta & Jenny
Arielle, Ricca, Sharon
charlote, jaquline, cella
gabriel and max
arvin, justin and austin
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